How to Work on Tour With an Artist?

The live music industry relies on a massive network of professionals who make the spectacle happen behind the scenes. Touring work encompasses all non-artist roles responsible for the logistics, technical production, and daily operations of moving a show from city to city. A career on the road offers the excitement of constant travel and the satisfaction of building large-scale events, but it demands intense commitment and specialized skills. Understanding the various roles and the demanding realities of this environment is the first step toward joining the touring world.

Essential Roles on an Artist’s Tour

Tour Management and Logistics

The Tour Manager (TM) functions as the chief executive on the road, overseeing all non-production aspects of the operation. They coordinate travel, manage accommodations, and handle the financial settlement of each show with the local promoter. On larger tours, the Tour Accountant manages budgets, payroll, and expense tracking. The Production Manager (PM) handles the technical and physical elements of the performance, acting as the primary liaison between the artist’s team and the venue’s technical staff.

Production and Technical Crew

The technical team ensures the show looks and sounds exactly as intended, regardless of the venue. The Front of House (FOH) Engineer mixes the audio heard by the audience, while the Monitor Engineer creates custom mixes for the artists on stage. The Lighting Director (LD) programs and operates the show’s lighting and visual elements, adapting the design to each performance space. Backline Technicians, often called “Backline,” specialize in the instruments, maintaining, tuning, and setting up the guitars, drums, and keyboards for the musicians.

Creative and Support Staff

Creative and support staff manage the public-facing and personal aspects of the tour. A Merchandise Manager handles inventory, sales tracking, and setup of the retail operation at each venue, which is often a major revenue stream for the artist. Photographers and Videographers capture content for social media and future promotional use, documenting daily life and performance highlights. Security personnel coordinate with venue security to manage crowd control, ensure the safety of the artists and crew, and secure restricted backstage areas.

Understanding the Touring Hierarchy and Scale

The size of an artist’s touring operation dictates the complexity of the crew structure and the scope of individual responsibilities. Touring begins with small or developing artists, where the crew is minimal and roles are often combined. A single person might serve as the Tour Manager, FOH engineer, and merchandise seller simultaneously, leading to a demanding “multi-hat” existence. This lean operation typically relies on a van for travel and local venue staff for technical support.

Mid-level artists, who play theaters and larger clubs, introduce more dedicated roles and a bus for travel. At this scale, the Tour Manager and Production Manager become separate positions, and the technical team expands to include distinct FOH and Monitor Engineers. The production is more complex, requiring dedicated Backline personnel and a full-time merchandise manager. This structure allows for greater efficiency and a more consistent show quality.

Major or stadium artists operate at the highest level of complexity, requiring massive, specialized teams divided into multiple departments. The crew can number well over a hundred people, including specialized roles like System Engineers, Riggers, and Playback Technicians. Union involvement is common, and the Production Manager oversees a complex logistical operation involving multiple tour buses and semi-trucks. Every role is narrow in focus, demanding deep expertise in one specific area.

Cultivating the Necessary Skills and Mindset

Success in the touring industry depends less on technical knowledge alone and more on possessing non-technical skills and a resilient mindset. Adaptability is paramount, as tour schedules are constantly shifting due to travel delays, equipment failures, or venue restrictions. Technical crew must be proficient in working with unfamiliar venue equipment and quickly troubleshooting problems on the spot. The ability to pivot without compromising the show is essential.

Problem-solving under pressure is a daily requirement, as many issues, from a broken guitar to a sound system failure, must be resolved within minutes. Professionals must maintain a calm demeanor and make quick, effective decisions, often with little sleep. Excellent communication skills are also essential for navigating the close quarters of tour life. Clear direction and preempting conflicts are necessary among team members who live and work together for months.

A high degree of personal resilience is necessary to endure the physical and emotional demands of the road. Crew members must learn to manage chronic sleep deprivation, irregular eating habits, and the emotional toll of being away from their support systems. The most successful people maintain a professional attitude and a positive outlook despite the relentless grind.

Practical Steps for Breaking Into the Industry

The path into touring prioritizes hands-on experience and personal reputation over formal education. Aspiring professionals should begin by embedding themselves in the local live music ecosystem. Securing a job as a stagehand, local runner, or production assistant at local clubs and theaters provides exposure to the workflow of touring crews. Working for a local sound or lighting rental company is another effective entry point, offering technical experience with professional-grade equipment.

The industry operates almost entirely on word-of-mouth referrals, making networking and reputation the most important asset. A reputation for reliability, a good attitude, and a strong work ethic will lead to opportunities more quickly than any resume. Many start by working for local bands or selling merchandise on small weekend tours, functioning as an apprentice or runner. This initial period is often unpaid or minimally compensated, serving as a proving ground to gain the trust of established professionals.

For roles like touring Photographer or Videographer, building a professional portfolio is mandatory. This portfolio should be presented as a simple website or a single PDF resume that explicitly showcases technical work relevant to a live setting. Utilizing social media and LinkedIn to connect with working Tour Managers and Production Managers can open doors. However, genuine connections and consistent professionalism ultimately secure a first full-time tour.

The Realities of Life on the Road

Life on the road is a demanding existence characterized by physical exhaustion and emotional strain. The daily routine involves long hours, often exceeding 14 hours on a show day, beginning with load-in and ending with the late-night load-out. This relentless schedule, combined with constant travel, irregular sleep patterns, and limited access to healthy food, contributes to chronic fatigue and physical wear and tear.

Compensation for touring crew is structured around a day rate, a fixed fee paid for each day of the tour, including travel and days off. In addition to the day rate, crew members receive a “per diem,” a daily allowance intended to cover minor expenses like meals and incidentals. The per diem is provided as a non-taxable fixed rate to simplify expense reporting.

The emotional toll of touring is considerable, with professionals experiencing chronic stress, anxiety, and loneliness. Extended periods away from family and friends strain personal relationships. The lack of privacy in cramped tour buses or shared hotel rooms can exacerbate tension among colleagues. Maintaining mental and physical health requires a conscious effort to establish self-care routines and find ways to connect with home life despite the continuous movement.

Advancing Your Touring Career

Once established, advancing a touring career means focusing on specialization and upward movement within the management structure. Entry-level crew members who have demonstrated reliability and technical aptitude look to move from general technician roles to Head of Department positions. For example, a Monitor Engineer might aim to become a FOH Engineer, or a Backline Tech might seek a role as a Head Backline Tech.

A significant progression path involves moving from a technical role into management, such as a Head Technician transitioning to a Production Manager. This shift requires developing strong organizational, budgeting, and leadership skills, moving the focus from technical execution to logistical oversight. Another advancement route is deep technical specialization, such as becoming an Audio System Engineer, responsible for tuning and calibrating the sound system to the acoustics of each new venue.

Long-term success often involves transitioning to larger tours, which command higher day rates and offer more defined roles. Eventually, many touring veterans transition off the road into senior positions at production companies, equipment rental houses, or artist management firms. These roles leverage years of experience to manage tour planning and logistics from an office-based environment.